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Summer 2008 - Volume 4, Number 4
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The DGA Interview:
A Life in Pictures
Roman Polanski’s life has had more drama than a Shakespearean tragedy. But in his nearly 50-year career as a director, he has created some of the most unsettling images and haunting films ever made.
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Reality Bites
Director Tony Croll and his team race the clock and fight the weather and unknown elements to capture the drama of America’s Next Top Model.
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The Bond Makers
The eight surviving directors of the longest-running franchise in film history reminisce about their adventures making James Bond come to life.
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Kinetic Camera
Kathryn Bigelow has always been a director with a lot of energy. In her new war film, The Hurt Locker, she takes her high-wire intensity to new heights.
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In the Screening Room:
Sexy Beast
Since high school, David O. Russell has been a big fan of Mel Brooks’ Young Frankenstein. Now he takes a closer look at how all the pieces fit together.
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Miracle Workers
UPMs have to deal with the financial realities of a production while helping the director execute his vision. It’s a tough job, but someone has to do it.
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On the Road
Hitting the road—for fame, fortune, or to stay one step ahead of the law—has been a staple of American films for over 80 years. Here are some shots of directors creating those odysseys.
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Profiles
On the Job With…
Raising the Bar, At the Ballpark, Southern Comfort.
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Independent Voice
Comedy Auteur
Greg Mottola always wanted to make serious movies. He still does, but with Superbad and the upcoming Adventureland, he’s doing it with comedies.
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10 Questions
Content Creator
CBS President and CEO Leslie Moonves talks about the challenges of the Internet and why network television is indispensable.
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Funny Business
The Exact Way to Direct Hit Comedies…
Sometimes trying to make funny movies will leave you talking to yourself.
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The Industry
Life on the Internet
Directors are having fun creating content for the Web—but are they making any money? Five Guild members relate their experiences.
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Shot to Remember
Dance of Death
With the climatic scene in Bonnie and Clyde, Arthur Penn forever changed how violence was portrayed on screen. He explains how he created his brutal ballet.
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